Monthly Archives: April 2010

Interview: Harry Brown’s Emily Mortimer

It’s a good thing I really enjoyed Harry Brown, otherwise I would have hounded Emily Mortimer with questions about Transsiberian. Mortimer’s characters in the two are actually somewhat similar; they’re very feminine women, but both have a particularly tough side. In Transsiberian she stars as Jessie, a young woman traveling from Beijing to Moscow via train who gets caught up in a drug smuggling effort. When she’s pegged with the goods she has to go up against an intimidating narcotics officer played by Ben Kingsley.

In Harry Brown, Mortimer is not only on the other side of the law, but she trades Sir Ben for another Sir, Sir Michael Caine. Caine plays the titular character, an older man living on an estate in South London. After his wife passes away and his close friend is murdered, he decides he’s had enough with the violent youths tormenting his neighbors and arms up to takes matters into his own hands. Mortimer steps in as DI Alice Frampton, the officer investigating the case of Harry’s late pal and the only one on the force who suspects Harry of committing a string of noble atrocities.

Frampton spends most of her time keeping a close eye on Harry, but eventually gets in on some of the action herself. Take a look at what Mortimer had to say about her brutal battle scene, omitted details about her character and the excessive on-set giggling.

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Tribeca Interview: Just Like Us’ Ahmed Ahmed

Say hello to Ahemd Ahemd. No, Microsoft Word Spell Check, that’s not a repeated word; that’s really his name. Okay, Ahmed’s version of that joke – that there’s no echo in the room – is far funnier, but even my version exemplifies some of what you’ll see in Ahmed’s documentary Just Like Us. The film depicts Ahemd’s journey to Arab countries including Dubai, Lebanon, Egypt and Saudi Arabia, all of which the average American assumes is not only devoid of comedy, but doesn’t even have a desire for it. Well, surprise! Arabs do enjoy some stand-up comedy and the chance to have a good laugh, just like us.

While promoting Just Like Us at the Tribeca Film Festival, Ahmed sat down with me for a whopping 30 minutes. He’s packed with great anecdotes, interesting details, a few wisecracks and even some information on a new project he’s working on, so I simply couldn’t bear to cut any of the interview. I’ve divided the interview into two segments, the breakdowns of which you can see blow.

Click here to watch the interview.

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Interview: Michael Caine is Harry Brown

Michael Caine may play Bruce Wayne’s loving and attentive butler, Alfred, in the “Batman” movies, but that doesn’t mean Caine isn’t capable of getting in on the action himself. In his new crime-thriller Harry Brown, Caine stars as the titular character, an older man living in a violent housing estate in London. After losing his wife and a close friend, Harry is pushed to the brink and decides to fight back against the vicious youths who rule the area.

Even though Harry Brown is ultimately a fictional tale, there’s a significant amount of truth behind the narrative. In fact, much of that truth is Caine’s truth. Not only is he an ex-serviceman, as is Harry, but he also lived in one of these estates himself. Between those connections, shooting on an actual estate and having some of these notorious teens in the film, a significant portion of the movie is factual. What isn’t quite realistic is Harry’s course of action. Vigilantes make for fantastic subjects in thrillers, but Caine prefers to keep things benevolent and attack the problem of misguided youths through charity and by simply offering them a second chance.

ComingSoon.net had the pleasure of sitting down with Caine to break down the details. He touched upon the usual; working with his co-star Emily Mortimer, getting into character and his hopes in terms of audience reception, but he was always eager to connect the filmmaking experience back to the actuality of the situation, the violent young gangs dominating the estates. Before wrapping up, he happily switched gears to briefly discuss his two upcoming Christopher Nolan projects, Inception and the highly-anticipated and rumor-consumed Batman 3.

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Tribeca Interview: Meet Monica Velour’s Dustin Ingram

It’s time to get to know Dustin Ingram. You may recognize him from the family-friendly superhero movie Sky High or the Nickelodeon seriesUnfabulous, but Ingram is all grown up now and delving into far more demanding roles. In Keith Bearden’s Meet Monica Velour, Ingram stars as Tobe, a geeky high school grad with eccentric interests, the most notable of which is an obsession with the hottest adult video actress of the 80s, Monica Velour. After finding out about an opportunity to see Monica perform live, Tobe hops in his hot dog truck and heads straight to Pinhook, Indiana. Nearly three decades past her prime, Monica is just not the same. The additional pounds and wrinkles are just too much for her fans to bear, but Tobe still looks at her as though she’s the same beautiful woman from Frankenbooty. Sadly, Monica has a hard time seeing the same.

Ingram may play the quintessential nerd quite well, but he’s certainly shed that image in reality. After the film’s premiere screening at the Tribeca Film Festival, Ingram was on hand to assist Bearden in funneling questions from the audience, a sense of confidence was clearly visible while at a festival photo shoot and, overall, his professionalism was through the roof. But, Ingram is still a 20-year-old guy just looking to have a good time and sees just that in what he’s accomplished with Monica Velour.

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Tribeca Interview: Meet Monica Velour’s Keith Bearden And Dustin Ingram

Keith Bearden and Dustin Ingram are pretty silly guys. I should have seen this considering the quirky nature of their film, Meet Monica Velour, but perhaps its sensitive side is what threw me off. Ingram stars in Bearden’s feature directorial debut as Tobe, a geeky high school grad who drives a vintage hot dog truck, hangs out with his 12-year-old neighbor and covets his collection of Monica Velour’s adult films. The latter would be considered a normal thing, but Monica was in her prime back in the 80s. Regardless, Tobe is adamant about seeing his dream girl live so hops in his hot dog mobile and heads to The Petting Zoo in Pinhook, Indiana. Monica struts her stuff, but to nobody’s liking. Well, nobody but Tobe. In fact, Tobe discovers he likes Monica for something entirely neglected by the porn industry, what she had on the inside.

See? Amusing, but serious, just like Bearden and Ingram. Both had an abundance to offer when it came to discussing the ins and outs of the filmmaking process, but, nevertheless, just couldn’t stop cracking jokes, which is very evident in my giggle-filled first question. Take a look at what they had to say about working with Kim Cattrall, the dirty movies within this movie and Bearden’s next project, an end-of-the-world comedy called God Hates Kansas.

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Tribeca Interview: Metropia’s Juliette Lewis And Alexander Skarsgard

In an industry saturated with Pixar and DreamWorks animated films, Metropia is certainly on the unusual side. Not only are the characters created using a less conventional process, after which they are comprised of over 80 movable layers, but their story is made to feel real. There’s nothing wrong with an old man flying his house to Paradise Falls via balloon, but it likely (and hopefully) won’t inspire anyone to do the same. Metropia’s fictional telling, on the other hand, has a powerful message to deliver and is one that can legitimately impact our lives.

In the future the world is running out of resources and one company controls Europe’s subway system. Hesitant to venture down into the Metro, Roger opts to be the odd man out and ride his bike above ground. When he finds his bike mangled he has no choice but to conform and join everyone else down below. Upon going to the lower level, Roger starts hearing a voice in his head, one that’s not his own. That voices come from Alexander Skarsgard’s character, Stephen, a company employee doing what he’s told, but bothered by his job’s effects. In order to find out what’s going on inside that head of his, Roger turns to Nina (Juliette Lewis), a face he recognizes from a popular shampoo ad campaign and someone who knows far more about his situation than he could have ever anticipated.

While promoting the film at the Tribeca Film Festival, Lewis and Skarsgard were on hand to unravel the conspiracy of Metropia. Check out what they had to say about working with director Tarik Saleh, the atypical animation process and more.

Click here to watch the interview.

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Tribeca Review: The Disappearance Of Alice Creed

Van? Check. Location? Check. Masks? Check. Gun? Check. Vic and Danny (Eddie Marsan and Maritn Compston) had it all planned out. Kidnap a young woman, hold her for ransom and take off with the loot. But all that changed when they opted to take Alice Creed (Gemma Arterton).

That’s about all the plot detail I can give without spoiling one of The Disappearance of Alice Creed’s many twists, and revealing just one would tarnish the experience. Once the theater lights dim hold on tight, because writer-director J. Blakeson jumps right into the action. This is no glorified depiction of a kidnapping where someone’s thrown into a room with a cot and served food when necessary. Alice is kept completely restrained not permitted to do a single thing on her own, even go to the bathroom. If you’re able to get through the onset of her abusive and humiliating ordeal, the payoff is huge.

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Tribeca Interview: Birth Of Big Air’s Johnny Knoxville, Jeff Tremaine And Mat Hoffman

There are very few things worth risking your life for. Initially, BMX riders were in danger of breaking a bone or suffering a concussion, but thanks to Mat Hoffman, the sport has transitioned into a far more daring activity that, in the most extreme cases, can bring athletes to the brink of death. Birth of Big Air details Hoffman’s rise to fame, his domination of the industry and the introduction of the mega ramp.

While promoting the film at the Tribeca Film Festival, producer Johnny Knoxville and director Jeff Tremaine were eager brag about Hoffman’s monumental impact on the sport as well as his passion, perseverance and dedication. A humble Hoffman listened on as his co-workers and friends praised his work and returned the acclaim by commending their filmmaking technique, particularly how they used those with a similar passion for BMX to tell his story.

But of course, there was no achieving greatness without suffering a slew of injuries. Quite a few of Hoffman’s bumps and bruises make it into the film, but there is no way to include them all. The boys bring up one particular spill after which Hoffman was fitted with an artificial ligament in a hotel room.

Hear about all this and much more for yourself in the video interview with Knoxville, Tremaine, and Hoffman below. Birth of Big Air is currently available On Demand and is set to air on ESPN in July.

Click here to watch the interview.

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Tribeca Review: Birth Of Big Air

When walking into a film directed by Jeff Tremaine and produced by Johnny Knoxville, you expect to get something shocking and gruesome a laJackass, however, this isn’t the case with Birth of Big Air. Not that the boys of Jackass don’t have heart, but the degree of dedication and ardor exemplified in this film is unfounded. ButJackass enthusiasts aren’t left empty handed. There’s certainly enough action and accidents to go around, but rather than giving yourself paper cuts as a recreational activity, Mat Hoffman is risking his life for the sake of his passion.

BMX has been around for quite a while, but it wasn’t until Hoffman arrived that the sport evolved from a rogue hobby into a respected show of athleticism. Tremaine kicks off the piece with a look at BMX’s early days, all the way back to Bob Haro in the late 70s. As the sport builds momentum, so does the documentary. Tremaine seamlessly eases in Hoffman’s story as though it were merely another notable timely progression. But perhaps that’s because it was. From the moment Hoffman’s mother decided to submit a photo of her son getting some serious air to a magazine, BMX would never be the same.

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Johnny Knoxville Talks Jackass 3-D And Untitled Comedy

With Birth of Big Air making its big debut at the Tribeca Film Festival, the boys of everything and anything insanely dangerous, Johnny Knoxville and Jeff Tremaine, came out to support their latest project. The film is part of ESPN’s “30 for 30” series, 30 documentaries celebrating 30 different trends, people or occurrences in the world of sports. This film, directed by Tremaine and produced by Knoxville, focuses on the man responsible for inspiring the mega ramp event at the X Games, Mat Hoffman.

After chatting with me today about Birth of Big Air, Tremaine, Knoxville and Hoffman took some time to provide a brief glimpse of Jackass 3-D. Naturally, Tremaine and Knoxville assured us that round three will be just as traumatizing, if not more, than the first two. They’re in the midst of shooting the film right now, thankfully in 3D rather than relying on a post-production conversion, and in the words of Tremaine, there will be “poo-poo, pee-pee, throw up” galore. And why is Hoffman in on this conversation beyond the fact that he happens to be promoting Birth of Big Air? Because he’s making a cameo in Jackass 3-D! It’s a quick part of the interview that’s easy to miss, but Tremaine provides a nod of confirmation around the 35 second mark.

Knoxville also shared a little about the untitled omnibus comedy that’s been getting loads of attention. The cast boasts names like Elizabeth Banks, Gerard Butler, Hugh Jackman, Christopher Mintz-Plasse, Chloe Moretz and many more. The film will be comprised of 17 different shorts created by various directors including Griffin Dunne and Bob Odenkirk. Knoxville confirms he’s wrapped his segment, which was shot by Brett Ratner and features himself and Seann William Scott.

Click here to watch the video.

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