Category Archives: Reviews

Review: Jack Ryan: Shadow Recruit

Jack_Ryan_PosterThe second great depression? Who cares? Where’d the cute decoy dog go?

“Jack Ryan: Shadow Recruit” focuses on the Tom Clancy-created character, Jack Ryan (Chris Pine), a CIA analyst who’s suddenly made operational after coming across hidden files suggesting a Russian oligarch is about to unleash a devastating financial attack on the United States. As the most knowledgeable person on the case, Jack’s superior, William Harper (Kevin Costner), decides he’s the man for the job and sends Jack on his first field assignment to Moscow where he’s expected to uncover the details of the terrorist plot before Kenneth Branagh’s Viktor Cherevin can topple the economy.

Oddly enough, more happens to Jack in the 15 minutes prior to everything in that synopsis. We meet a young Jack in London where his studies are interrupted by the 9/11 attacks. He’s inspired to join the Marines and becomes an all-star solider until his helicopter is shot down, landing him in rehab for months. His doctor-in-training, Cathy Muller (Keira Knightley), motivates him to suck it up and get back on his feet, and that’s when Costner’s Harper moves in, waiting until the time is right and then recruiting Jack for the CIA. Now that’s a movie. The script doesn’t give these life-changing events much time to breathe, but based on this sampling, had the film chronicled the ups and downs of Jack’s career prior to becoming an analyst, there would have been far more heart and meaning to the experience.

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Review: Paranormal Activity: The Marked Ones

Paranormal_Activity_The_Marked_Ones_Poster“Paranormal Activity: The Marked Ones” isn’t half as scary as three of its four predecessors, but its strong characters and clever story layers do prove the mythology is worth expanding.

“Paranormal Activity: The Marked Ones” kicks off at Jesse’s (Andrew Jacobs) high school graduation. After the festivities wrap up, Jesse talks his way into holding on to the family camcorder and uses it to spy on his creepy neighbor, Anna (Gloria Sandoval). It’s all harmless fun until Anna is murdered and Jesse gets the bright idea to snoop around her apartment. Turns out, eerie bloodstains aren’t the only things Anna left behind; unbeknownst to Jesse, she also left her mark on him.

“The Marked Ones” is far from a franchise favorite, but it is an adequate installment. Gone are the days of the late night time-lapse. “The Marked Ones” is almost entirely handheld and while the camerawork is a bit dizzying, the change is refreshing. The whole film is shot by Jesse and his buddy Hector (Jorge Diaz) and while you may wonder why they don’t drop the camera to run for their lives, unlike many found footage films, that thought won’t cross your mind until after it’s over. The high school graduation is a very sensible way to land the camera in Jesse’s hands and then from there, Jesse and Hector do exactly what you’d think two teenage boys might do with a camera – slide down a staircase in a laundry basket and spy on their weirdo neighbor. By the time they’re recording the scary stuff, the movie’s already established a strong tone and beat, so you’re never compelled to question their motivation to keep filming.

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Review: The Hunger Games: Catching Fire

The_Hunger_Games_Catching_Fire_PosterBetween the prime source material, built-in fan base, epic star power and increased budget, Francis Lawrence’s adaptation of “The Hunger Games: Catching Fire” had all the potential in the world, but that also shrouded it in an exorbitant amount of pressure and expectation, so it’s a good thing Lawrence rose to the occasion.

The second installment picks up shortly after the events of the first. Katniss and Peeta (Jennifer Lawrence and Josh Hutcherson) are home sweet home in District 12, but still suffer from the repercussions of surviving the Hunger Games, one of which is participating in the Victory Tour. Even though the Capitol’s beloved star-crossed lovers travel from district to district professing their devotion to Panem, there’s no stopping what they started. With a rebellion on the horizon, President Snow (Donald Sutherland) opts to hit the districts where it hurts, targeting their resources, safety, and their Hunger Games victors.

Scoff at the “Hunger Games” craze all you want; this is a franchise that earns every ounce of attention, press and profits. Not only did Gary Ross’ film do the pre-release hype justice by kicking off the series with a riveting, well-composed and highly effective adaptation, but now Francis Lawrence and writers Simon Beaufoy and Michael Arndt build upon Ross’ success by taking the budget boost and funneling it into quality talent, stunning visuals and creating an all-consuming experience.

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Review: The Wolf of Wall Street

Wolf_of_Wall_Street_Poster“The Wolf of Wall Street” lets you relish in unparalleled no holds barred debauchery while increasingly disillusioning the fun and games with the nasty reality of the situation along the way.

The film is based on the true story of Jordan Belfort (Leonardo DiCaprio), a guy who kicked off his career on Wall Street with the best intentions, but threw all of his morals out the window in exchange for money, women and drugs. Jordan founded Stratton Oakmont and reveled in the lucrative business of selling fraudulent stocks at his costumers’ expense, but there was just so long he could carry on making scenes, crashing cars and drowning himself in Quaaludes before the FBI caught on.

Having read the real Belfort’s memoir, I walked into Martin Scorsese’s feature adaptation knowing what the character is capable of, but apparently I wasn’t capable of imagining the true extent of Belfort’s antics while reading the book because on screen, the behavior is above and beyond. There’s no reason to like the guy. He cheats on his wives, robs innocent people of their hard-earned money and is absolutely wasted the large majority of the movie, but at the same time, it’s so easy to understand why he gets away with it for so long. He’s a total charmer and an absolute blast to hang out with.

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Perri’s Top 10 Movies of 2013

Top_Ten_of_2013-176x3002013 marks my fifth year working as a film critic and reporter and I’m proud and very thankful to say it was the best yet. I was fortunate enough to have the opportunity to work alongside some fiercely talented friends and colleagues, interview some of the most esteemed talent in the industry, attend events like SXSW, San Diego Comic Con and Cinema Con, and, perhaps most importantly, see a number of films that I’ll carry with me well beyond 2013.

I am endlessly grateful to spend each and every day doing what I love and am thrilled to celebrate cinematic achievements like these …

10. VHS 2

VHS” put the horror anthology format back on the map, but “VHS 2” solidifies it as a feature structure that can rival traditional narratives. The wraparound component still isn’t quite there, but all four shorts in the sequel are highly creative, entertaining and memorable. Adam Wingard delivers a typical haunted house scenario but within a new, intriguing framework, Gregg Hale and Eduardo Sanchez put an entirely fresh spin on the zombie genre and Jason Eisener offers up a stunningly stylized alien invasion that rocks some of the feature’s most unforgettable sounds and visuals, but the best of the bunch is definitely Gareth Evans and Timo Tjahjanto’s “Safe Haven.” You think you’ve seen it all? Evans and Tjahjanto put the large majority of third act massacres to shame. “Safe Haven” is the one that will blow your mind, but all four short films are impeccably structured and loaded with remarkably unique plot points, turning the full feature into a beautifully sick and twisted film that’ll give you a good scare and/or having you shouting something to the effect of, “No way!,” the entire way through.

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Review: Her

Her_PosterI wouldn’t mind living in Spike Jonez’s version of the future, but for now I’m happy to just keep watching “Her” over and over again.

“Her” takes place in a future version of Los Angeles and hones in on Joaquin Phoenix’s Theodore Twombly, a soon-to-be divorced man who writes other peoples’ love letters for a living. One day, Theodore opts to purchase the hottest new piece of technology on the market, OS 1, the first artificially intelligent operating system. Soon thereafter, he creates Samantha (Scarlett Johansson), a digital secretary of sorts who’ll clean out his inbox, organize his writing and also be his friend.

If we’re heading towards Jonze’s version of the future, we might be better off. There are no hulking robots, deep space transports or overabundance of ultramodern technology, but rather mildly modified elements of the present that have clearly been changed to facilitate a more serene lifestyle. Computers are voice activated, clothing trends are practical, the streets are clean and not a single person raises his or her voice. “Her” features some heated discussions, but they’re genuine discussions, not thoughtless outbursts.

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Review: Out of the Furnace

Out_of_the_Furnace_PosterA revenge mission doesn’t play well when you don’t care about who’s avenging what and why.

Christian Bale and Casey Affleck lead as the Baze brothers. Bale’s Russell is the older of the two and does his best to sustain a standup lifestyle, dedicated to his job at the local steel mill, his girlfriend Lena (Zoe Saldana), and his family. Affleck’s Rodney, on the other hand, opts to enlist in the army in hopes of finding something to live for outside of Braddock, Pennsylvania. However, after four tours in Iraq and only mental and physical scars to show for it, Rodney winds up back home competing as a bare-knuckle boxer to payoff his debts. When Rodney doesn’t return from a fight in Harlan DeGroat’s (Woody Harrelson) territory, Russell takes it upon himself to head up into the notorious Ramapo Mountains and bring his brother home.

Rather than kick things off by strolling through everyday life in Braddock, “Out of the Furnace” runs with a bleaker introduction, showing off the wrath of its antagonist. The choice to screen “Midnight Meat Train” is a little distracting, but the drive-in movie location is a novel and dynamic setting, that adds an extra layer to Harlan’s tantrum via bystanders’ reactions. Harlan’s behavior is vicious to the point of being disconcerting, but it does function as a highly effective opening hook.

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Review: Oldboy

Oldboy_PosterDespite striking visuals and Josh Brolin’s all-in performance, the new “Oldboy” fails to build a riveting, believable mystery strong enough to support its big twist.

In the Spike Lee film, Brolin stars as Joe Doucett, a deplorable advertising executive who has all the time in the world to drown himself in alcohol, but none to spend with his daughter. During one particularly drunken night, Joe is snatched off the street and wakes up trapped in a small room. After 20 years of solitary confinement and dumplings, Joe is suddenly released and challenged to figure out who ordered his lengthy prison sentence and why.

If you’ve seen the Chan-wook Park original, it’s impossible to experience this new version objectively, but Lee’s rendition does deserve a standalone assessment first.

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Review: Frozen

Frozen_PosterBetter prepare yourself for many days’ worth of running around singing, “Let it go, let it go,” because there’s no way you’re walking out of “Frozen” without a pep in your step, massive smile on your face and the desire to build a snowman.

“Frozen” features the voices of Kristen Bell and Idina Menzel as Anna and Elsa, the princess of Arendelle. As kids, Anna and Elsa are inseparable. But, when Elsa realizes that she’s got the ability to create snow and ice, she also realizes that her newfound powers put her loved ones at risk. In an effort to keep Anna safe, Elsa takes off into the mountains, but buries a summertime Arendelle in a winter’s worth of elements along the way. Now, with the help of a mountain man named Kristoff (Jonathan Groff), his lovable and loyal reindeer Sven, and Olaf (Josh Gad), a snowman with a thing for summer, Anna must trek up the mountain and convince her sister to thaw their home.

Writer-directors Chris Buck and Jennifer Lee cracked “The Snow Queen.” Disney’s been trying to develop a big screen version of the Hans Christian Andersen story for quite some time and while “Frozen” is far from a straightforward adaptation of that work, the deviations are brilliant and turn the final feature into a piece that’s got a classical appeal, but also wholly relatable modern twists.

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Review: Afflicted

Afflicted_PosterIn Afflicted, Derek (Derek Lee) and Clif (Clif Prowse) have been friends all their lives but when a string of severe headaches lead to the discovery that Derek is suffering from AVM (arteriovenous malformation), he decides it’s now or never – he’s got to take a trip around the world. With Clif in tow documenting the adventure, Derek hops a plane to Europe to begin fulfilling his lifelong dream.

The boys are having a blast, but after a night out, Derek’s health starts to deteriorate. Assuming the symptoms could be a sign that Derek’s AVM has ruptured, Clif begs Derek to put their plans on hold and get checked out at a local hospital, but little does Clif know, not even the finest doctors in the world can stop the mysterious affliction that’s consuming his friend’s body.

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