Tag Archives: Chloe Moretz

10 Differences Between the ‘Carrie’ Remake & Original 1976 Movie

Carrie-Differences-Remake-OriginalCarrie may have taken her telekinetic wrath from the 1970s to modern day, but beyond that, Kimberly Peirce’s Carrie falls right in line with the Brian De Palma original. However, even though the films hit all the same beats, share character names, and even some dialogue, the 2013 version isn’t a total copy and paste job. The structure stays the same, but by using a little modernization, additional character details and new scenes here and there, Peirce essentially recreates the same experience while trying to make it her own (read our Carrie remake review).

Whether or not that remake technique works for you, if you’re a fan of the original, it certainly makes pinpointing those differences an entertaining game. Check out all the changes we caught in the new Carrie and let us know which ones you spotted, too.

It goes without saying that the following post contains SPOILERS for Carrie and the 2013 Carrie remake.

Click here to read more.

Leave a Comment

Filed under Features

Interview: Kick-Ass 2′s Aaron Taylor-Johnson, Chloe Moretz & Christopher Mintz-Plasse

kickass2video1Growing up means three very different things to Dave Lizewski (Aaron Taylor-Johnson), Mindy Macready (Chloë Grace Moretz) and Chris D’Amico (Christopher Mintz-Plasse) in Kick-Ass 2.

Dave is busy trying to follow his destiny and make a difference as Kick-Ass, Mindy, on the other hand, switches gears, locks away her arsenal, and tries to be normal, while Chris transforms from Red Mist into The Mother F%&*^r, hell-bent on avenging his father’s death.

Click here to read more and watch the interviews.

Leave a Comment

Filed under Interviews

‘Carrie’ Remake Bloodies Up New York Comic-Con

Wouldn’t it have been cool if someone doused Chloe Moretz in pig’s blood, and out of rage she sent objects flying throughout the room and the IGN Theater erupted in pure chaos? Sadly there’s no firsthand account of Carrie’s rage to report from New York Comic-Con, but Moretz, Julianne Moore, producer Kevin Misher and director Kimberly Peirce did offer up a sense of what we can expect from the highly anticipated remake.

With roots in the Stephen King novel, Carrie features Moretz as the title character, a teenager with an overbearing mother (Moore) and abusive peers who loses it, unleashing the wrath of her telekinetic powers on the town.

The Big Highlights

– The teaser (online this weekis short and sweet, but has a nice energy and eeriness to it. The environment, effects and camera movement hint at the modernization of the material and a potentially flashier shooting style. Too short to confirm the remake is going to be worthwhile, but it at least puts it on the right track.

Click here to read more.

Leave a Comment

Filed under Features

Interview: Hugo’s Asa Butterfield, Ben Kingsley, Chloe Moretz And More

What better way to spend the most magical time of year than by seeing a particularly magical and inspiring movie? No, this isn’t a review – that you can find right here – but there’s really no way to talk about Hugo without being swept right back up by that incredible adventure.

Based on Brian Selznick’s book, The Invention of Hugo Cabret, Martin Scorsese’s Hugo tells the tale of a young orphan named Hugo (Asa Butterfield) who keeps the clocks running in a 1930s Paris train station by day and tries to finish his deceased father’s work by night, restoring an old automaton. In attempt to find the pieces to fix the elaborate machine, Hugo targets Georges Méliès’ (Sir Ben Kingsley) train station toy stand. And yes, that’s Georges Méliès as in the iconic filmmaker of the late 1800s and early 1900s. Méliès catches Hugo in the act and after finding some stolen goods and Hugo’s notebook of automaton instructions, rather than merely reprimand him, Méliès is so distressed by his findings he takes and threatens to burn Hugo’s notebook. However, with the help of Méliès’ goddaughter, Isabelle (Chloe Moretz), Hugo not only comes closer to fixing the automaton, but fixing Méliès, too.

In honor of Hugo’s November 23rd release, a large portion of the gang assembled for a press conference. Producer Graham King, screenwriter John Logan, the station inspector Sacha Baron Cohen, Lisette the flower shop owner Emily Mortimer, Moretz, Butterfield, Kingsley and novelist Brian Selznick all came out to talk about working with Scorsese, dabbling in film history while making a film and so much more. Check out some of the highlights in the transcription below.

Click here to read the interview.

Leave a Comment

Filed under Interviews

Review: Hugo

Part of the beauty of filmmaking, is the ability to transport viewers to another reality. Back in the late 1800s and early 1900s, filmmaker Georges Méliès seized the opportunity to put stop tricks and painted film cells to use, combining his skills as a magician and filmmaker to, quite literally, bring dreams to life. Ultimately, we’re still doing the very same thing today, but with the wildly advanced technology and more thorough understanding of storytelling, director Martin Scorsese has created one of the most successful attempts at bringing an audience into the movie with Hugo.

It’s the 1930s in Paris, France. After losing his father (Jude Law) in a terrible fire, young Hugo Cabret (Asa Butterfield) is forced to live with his only relative, his uncle, Claude (Ray Winstone). A far from responsible drunk, Claude pulls Hugo out of school and shows him the ropes at work, teaching Hugo to keep the clocks running at a Paris train station. And it’s a good thing, too, because when Claude leaves Hugo to his lonesome, it’s up to Hugo to keep things timely.

When he isn’t tending to his train station duties, Hugo is hard at work at the one thing his father left behind, an automaton. Hugo regularly snatches up food and milk from the train station vendors and also frequents grumpy old Georges Méliès’ (Ben Kingsley) toy stand, a place prime for automaton part collecting. When Méliès catches Hugo in the act, he demands the boy empty his pockets. Amidst the usual mess of rogue toy parts is a notebook with automaton drawings and instructions that oddly rub Méliès the wrong way. When Méliès takes Hugo’s precious notebook, Hugo turns to Méliès’ goddaughter, Isabelle (Chloe Moretz), for help and the two discover they have a lot to offer one another, Isabelle helping Hugo get his automaton up and running and Hugo giving Isabelle a taste of adventure.

Click here to read more.

Leave a Comment

Filed under Reviews

Hailee Steinfeld’s Next Film — Could It Be ‘The Hunger Games?’

Hailee Steinfeld is no longer just the girl from the K-Mart Blingitude commercial or the young actress from a handful of short films for that matter; she’s a critically acclaimed actress and quite possibly even an Oscar contender for Best Supporting Actress (she already won Best Young Actress at the Critic’s Choice Awards). Of course it’s a special thing to be cast in a Coen brothers movie, but in Steinfeld’s case, being cast as Mattie Ross in ‘True Grit’ is life changing.

It should come as no surprise that with this particularly big break will come an assortment of film offers – and rumors of offers, too. Lately, we’ve been hearing quite a lot about Steinfeld potentially portraying Katniss Everdeen in the film adaptation of Suzanne Collins‘ wildly popular book, ‘The Hunger Games.’ From the start, I’ve championed Chloe Moretz for the part not only because she’s a spectacular actress, but also because there was really nobody else who could handle the part. Well, after catching ‘True Grit,’ my ideal casting for the lead role in this potential blockbuster franchise changed and Ms. Moretz has slipped to option #2.

Click here to read more.

Leave a Comment

Filed under Features

Interview: Let Me In Writer-Director Matt Reeves

It’s quite obvious that movies are being remade all the time and most of them turn out to be mere mad dashes for cash minus creativity. Now, not only is Matt Reeves up against the popular notion that most remakes are uncreative cop outs, but he’s working with material that just appeared on the big screen less than three years ago and, to top it all off, Let the Right One In is a downright fantastic film. However, when the opportunity to adapt John Lindqvist’s book yet again fell into his lap, Reeve’s attraction to the novel and the first film led him to forge ahead with his own version, Let Me In.

Reeve’s film sticks with the boy-meets-vampire story, but replaces the book and Let the Right One In’s Eli and Oskar with Abby and Owen (Chloe Moretz and Kodi Smit-McPhee). Owen’s a 12-year-old living with his mother in New Mexico in 1983. He’s quite small for his age and is constantly getting picked on by a group of bullies at school. His favorite time is the time he spends alone in his apartment complex courtyard in the blistering cold, but that’s only until Abby moves in. Their relationship develops much like any other pre-teens exploring their feelings for one another, but Owen soon comes to realize that Abby isn’t really a girl at all, she’s a vampire.

In honor of the film’s opening day, Reeves took the time to chat about his experience making the movie. Clearly today was a very busy day for the filmmaker, so we were a little short on time. I was only able to squeeze in two questions, but that’s really only because Reeves was packed with information on the project’s origin as well as his experience bringing Moretz and Smit-McPhee aboard. Check out the video interview below and be sure to catch Let Me In, which hits theaters today.

Click here to watch the interview.

Leave a Comment

Filed under Interviews

Review: Let Me In

It’s one thing to remake a film years after its release, but writer-director Matt Reeves faced one heck of a challenge making an American version of the fantastic Swedish film, Let the Right One In. Not only is Let the Right One In one of the greatest vampire movies ever made, but it only came out two years ago. Reeves’ version, Let Me In, may not quite validate giving this story another go-around so soon, but that’s not to say it isn’t a wildly enjoyable and astoundingly well-done film.

Kodi Smit-McPhee is Owen, a 12-year-old boy living with his mother in Los Alamos, New Mexico. It’s 1983 and Owen’s only salvation from his parents’ divorce and the bullies at school is the time he gets to spend alone at night in the courtyard of his apartment complex. One evening, his privacy is invaded by another 12-year-old (more or less), Abby (Chloe Moretz). Abby just moved into the apartment next door, but informs Owen right from the start that the two cannot be friends.

Regardless, Abby and Owen continue to meet in the courtyard and slowly begin to build a relationship. Owen introduces Abby to the Rubik’s Cube, candy and Morse Code, but she offers little in return for she’s hiding a secret. She can’t stomach the candy, is immune to the cold and must be formally invited inside before entering Owen’s home. To top it all off, Abby needs blood to live; she’s a vampire.

Click here to read more.

Leave a Comment

Filed under Reviews

Daring to Dream: Casting ‘The Hunger Games’ Movie

I’ve never been a big reader, but in the last few years picked up the hobby of reading books being adapted to film. Even after plowing through dozens, I still never understood the people who would willingly sit all day, flipping pages until they finished an entire book. You know, like the Harry Potter fans. I enjoyed reading, but never felt desperate to see what happens next in exchange for food, sleep or just time to zone out – until I picked up The Hunger Games.

Suzanne Collin‘s book is hands down, the most fantastic piece I’ve ever read. Not only did I read obsessively only stopping to get some work done, but I actually was compelled to read it again, a first for me, and then go on to do the same with the sequel, Catching Fire. You’ll be hooked from the very first page of the soon-to-be three-book series, when you meet the story’s hero, Katniss Everdeen. She lives in Panem, the country formed after the destruction of North America. It consists of the wealthy Capitol and 12 districts, the last of which Katniss calls home. Once every year, each district must select two residents, one boy and one girl both between the ages of 12 and 18, and send them to the Captiol to compete in the Hunger Games, a televised battle to the death.

Click here to read more.

Leave a Comment

Filed under Features

Interview: Kiss-Ass’ Chloe Moretz

Kick-Ass made a decent $96 million worldwide, but when it comes to the caliber of the film it deserves so much more. Lucky for all of you folks who missed it in the theaters, Kick-Ass is set to hit DVD and Blu-ray on Tuesday, July 3rd. In honor of the release, star Chloe Moretz took some time to chat about the film that transformed her from an up and coming actress into one of the industry’s most sought after young stars.

She plays Mindy Macready, also known as Hit Girl. Her father, Damon, or Big Daddy, raised her to be the ruthless crime fighter she is today. Hit Girl and Big Daddy are as real as anything when it comes to superheroes sans powers, but Kick-Ass (Aaron Johnson) is another story and when both he and the father daughter duo end up with a common enemy, they’ve got to kick some ass together.

Even as her career becomes a whirlwind of success and more and more films, Moretz still had tons to share about her experience on this set. But, of course, now that major offers are coming her way, we had to talk about her upcoming projects. Check out what Moretz had to say about her fond Kick-Ass memories and to get a taste of what she’ll have to offer in the coming years.

Click here to read the interview.

Leave a Comment

Filed under Interviews