“Thor: The Dark World” is simply Marvel’s most fun movie.
Way back when, Odin’s (Anthony Hopkins) father, Bor, supposedly annihilated a race called the Dark Elves, thwarting their attempt to shroud the universe in darkness using a weapon called the Aether. Trouble is, the leader of the Dark Elves, Malekith (Christopher Eccleston), and a few cohorts abandoned their race mid-fight and managed to escape so they could get another chance to see their plan through in the future. In present day, about two years after the events of “Thor,” Thor is reveling in the success of his efforts to bring peace to the Nine Realms. However, before the Asgardians can enjoy this universal accord, the Nine Realms align, portals open, and the Dark Elves return.
“Thor: The Dark World” is easily one of Marvel’s most entertaining films. It’s got action, adventure, heart and some of the best superhero movie comedy. There are some logic issues, but the film is such a joy and thrill that the pleasure of the illusion leaves no room for misgivings.
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When we’re getting superhero movie after superhero movie, it’s understandable to have that, “Oh, another one?,” reaction. However, in the case of The Avengers, it was unprecedented right from the start. Yes, it’s more superhero material, but this isn’t just a film that features the biggest team of super-powered crime fighters yet; it’s one that links together a number of other features and franchises and, in turn, really creates a living, breathing Marvel universe.
There’s been quite a bit of hype over this remake, hasn’t there? Well, apparently I’m one of few who’s never read Stieg Larsson’s books or seen the Swedish films and that proved to have a bit of an effect on my reception of David Fincher’s The Girl with the Dragon Tattoo. Perhaps if I were familiar with the source material, I’d have had an easier time following all the details, but, then again, this should be a review of David Fincher’s film and Fincher’s film alone, so my novice status makes this a purer evaluation.
As someone with an appreciation for a more literal approach to storytelling, taking to Lars von Trier’s style of work has never been easy. However, with Melancholia, von Trier finds an absolutely impeccable middle ground, providing the audience with a uniquely sensible tale, but not holding back when dousing the piece with his authorial expressivity, giving us something that’s tremendously stirring.
As someone who isn’t up-to-date on her comic book reading, these films tend to be a bit of a blur. However, lately, that sensation fades after the films’ releases. Thanks to Marvel, over the years, I’ve gotten to know tons of endlessly fascinating characters like Iron Man, Spider-Man and more. Of course there were less memorable ones like Daredevil and the Punisher, but rest assured, Thor certainly earns his place in the latter group.
Welcome to Europe, 2024. The sky is gray and the streets are barren, but below the surface is a thriving subway system connecting the continent controlled entirely by Trexx Corp. Roger (voiced by Vincent Gallo) is a self-proclaimed normal guy. Perhaps this is just because he’s got a dull desk job at call center and is rather plain looking, because deep down Roger is far from normal; he suffers from a severe case of paranoia. While the masses opt to ride the Metro to work, Roger uses a bike so as to avoid the system he suspects to be part of some sort of conspiracy.